![]() ![]() ![]() Les, whose primary method of "exacting justice" is to blitz his opponent like a runaway quarterback, manages to get himself into some hairy situations, but it's his determination to make something of himself, no matter what is thrown at him, that gives this intimate story greater resonance. That thankfully is what filmmakers Hal Haberman and Jeremy Passmore focus on, certainly indulging the fun and silly aspects of Les' new abilities but ultimately exploring the idea that heroism isn't about being able to get beaten up but about getting up and fighting again afterward. Truth be told, that's probably the most important quality a superhero can possess, since no matter how strong or fast or gifted you may be, it's going to require more than a little motivation to get back up and keep fighting after your adversary has beaten your face to a pulp or pulled a building down on top of you. As many powers as Les develops over the course of the film's 80-minute running time, it seems like the most significant of these is resilience. Dobson (Jack Kehler) informs him that his results are not only unusual but deadly to the study's proprietors, Les finds himself on the run from Jonas (Paul Blackthorne) and Ted Exiler (Ian Bohen), two suit-wearing executives who appear to have developed superpowers of their own. Out of boredom, Les unceremoniously decides to participate in a scientific study that documents the effects of a new medication what he soon discovers is that those effects are not only feelings of energy and wellness, but genuine superpowers, starting with levitation and moving on to teleportation and time travel. Michael Rapaport plays Les, a parking enforcement officer who is lorded over by his micromanaging boss and fanboy friends Everett (Robert Baker) and Joey (Josh Peck). ![]()
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